![]() ![]() ![]() The author begins by identifying the correlation between visual art and nationalism in order to argue the necessity to analyze political ideology and modernism together in the context of all decolonizing nations. Okeke-Agulu presents the key characteristics of postcolonial modernism as an “international mid-twentieth century phenomenon” (p. This book traces the emergence of postcolonial modernism in Nigeria during the independent years (1950s-1960s) linked to the wider context of decolonization in twentieth century Africa, to its demise in the years of crisis marked by Nigeria’s civil war (1967-70). She is currently Head of Operations at Raymond Pettibon Studio. ![]() Mellon Foundation curator at Performa NY. She has taught at NYU, Roger Williams, and other universities and was selected as the inau- gural Andrew W. Sozita Goudouna is the author of Beckett’s Breath: Antitheatricality and the Visual Arts published by Edinburgh University Press and released in the US by Oxford University Press. OUT SCORE generates encounters between dance, performance and the visual arts, in relation to the complex notions of notation and score, and the ways scoring elasticity can be conceived in the second decade of the century. SOZITA GOUDOUNA | USA On Scoring Elasticity: Elastic Imaging, Sonoelastography, Live Renderings | PAP The paper discusses methods of translating three-dimen- sional work into a two-dimensional format and the ways an elastic movement and sound score can define the future of architecture and our build environment by examining the project OUT SCORE, a live arts program and exhibition that takes place at the sculpted theatre of Aixoni ( /project.php?id=22) and at ‘T’ Space (Steven Holl). ![]()
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